Monday, May 30, 2022

Book Review: The Kite Runner

The Kite Runner The Kite Runner by Khaled Hosseini


It hurts more to have something and then lose it, than to not have it at all.

But life, at all times, causes us to believe in it, to grapple its experiences, identities, joys and pleasures; and just when we’re fully indulged in its illusory ecstasy, life slips in quietly, reappearing in its shadowy form, and knocking the door of our heart, it whispers in our ear,
“Hey, that’s it, buddy. The show’s over. Time to return!”

Life, in fact, is a cruel creature with a charming face, who, lends us all that we need in a given moment, only to take it away, just when we are beginning to grow fond of it.

And like a slaughter to a lamb, it slices the delicious crumb of this teeny-weeny world that we’ve created for ourself, and we, are forced to return to where we have come from; our heart, the true home.

The Kite Runner, too, is one of those works of fiction, which takes you to glimpse this great field of life, where you lose when you win and you win when you lose.

It presents a story of two boys growing up together; each one experiencing the harsh aspects of being human, as life reveals these to them, in different ways. One point of view to look at the storyline is survival of the fittest. But yet another point of view will reveal to you that there is a life force which transcends all thought and unfolds itself to trigger total wonderment in our heads. Life, is full of surprises, but the surprises reveal only when we’re least expecting them. The truth is that.

The book is both happy and sad, both harsh and tender, both sweet and painful. From the two boys Amir and Hassan, playing together, eating together, reading together; to a shocking reunion in the bungalow of a Taliban leader. It is a creative chronicle, not only of friendship, love and destruction, but also of fatherhood, family and boundaries.

Mr. Khaled Hosseini is a magical storyteller who knows how to pluck every string buried deep inside your heart, and play the melody which will cause stirrings even in the hardest of hearts.

While, some books are ideas,
some, are stories…
but some are those which transcend the realm of all material.

These are the books which cause you to land directly in the field of feelings. You may want to step away, because, some feelings are too unbearable to look at, but in the end, you’ll taste the essence of life, something that is common to every human being, to every being of life.

The Kite Runner is not merely a book. It is a feeling…A feeling that will emerge in your throat till your heart.

No wonder, the book is a best-seller. It doesn’t really sell an idea or even just a story. It embodies the magic of the deepest feeling which makes us all human.

Like the protagonist Amir in the novel, you’ll take a short trip from your childhood innocence to the dark place of your mind and then homecoming to the home of your heart.

Beginning from the scenic descriptions that are beautifully crafted, to the happy-sad emotions bejewelled like gemstones, to the entire pathway of the storyline, the book strikes just every nail guarding your heart, and break forths the wellspring of feelings residing within the honest-most region of our heart.

This book was recommended to me via a reading list provided in a creative writing class I attended.

I cannot write enough for what this book felt to me, but I can only say that this is one of the most beautiful, most wholehearted books I have ever read in my lifetime. One of the greatest works of fiction and of course, a must-read.

A writer or a reader, whoever you are, no one should have to leave the planet earth before reading this book. That kind of a book this is!

In the end, I’d like to quote three lines from the book, which, also summarize my overall review for it…

some stories don’t need telling…”
“Better to get hurt by the truth than comforted with a lie.”
"In the end, the world always wins. That's just the way of things.”

Thank you!
Neha
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Saturday, May 21, 2022

13 INTERESTING FACTS ABOUT GRAMMAR, WORDS & LANGUAGES!

 

 


#1 A WORD IS A FORM OF ENERGY!

The ancient Indian sages say that a word is not just a word, but a form of energy which carries within it the potential of transformation.

 

It is only through the words that people like writers, poets and storytellers are able to weave magic through their writings, poems and stories!

 

#2 GRAMMAR IMPLIES ‘THE LOGIC OF LANGUAGE’!

In Indian texts, grammar is referred to, by the terms such as “Vyakaran”.

 

The Sanskrit word Vyakaran implies separation, distinction, discrimination, analysis, explanation, logic" of something.

 

And so, Grammar can be understood as the science of studying the logic or the structure of language!

 

#3 THE SCIENCE OF GRAMMAR IS APPROX. 3000 YEARS OLD!

Grammar is one of the most ancient sciences dating back to the Vedic period. This field of grammar also makes up one of the six Vedangas in the scriptures of Vedas or Vedic Studies.

 

Grammar or Vyakaran is related to the fourth Vedanga of Vedas – this Vedanga is named as ‘Nirukta’…

 

#4 SANSKRIT & GREEK MARK THE ORIGINS OF GRAMMAR!

Most of the words and grammar are derived from two main languages that is, Sanskrit and Greek!

 

#5 THE WORD “ALPHABET” IS DERIVED FROM FIRST TWO CHARACTERS OF GREEK LANGUAGE!

The word “alphabet” is derived from the combination of the first two characters of Greek language, that is, “alpha” and “beta”!

 

Alphabet = Alpha (alpha) + bet (beta)

 

#6 GRAMMAR IS THE SCIENCE OF STUDYING DIFFERENT DIMENSIONS OF REALITY & LIFE!

The popular linguist & writer, evi Scharfstein said that, the field of grammar is much more than merely a study of words and relations between words.

 

Rather, grammar is understood to be the study of reality itself as well as the relations between different dimensions of reality.

 

According to Vedas, the main purpose of the field of grammar is to utilize the medium of “words” to their best possible effective means in order to realize the underlying principle of all reality and to break the chain of ignorance.

 

Also known as shabd-yoga, the field of grammar was originally aimed at understanding the root and significance of the word itself. By understanding the root of words and the fundamental structure of language, we can also understand, and thereupon, realize the fundamental principle of life itself.

 

#7 IN ENGLISH, EACH CONSONANT CARRIES ITS OWN SOUND UNLIKE HINDI OR SANSKRIT!

In English, each consonant has its own sound like B(bee), K(kay), F(eff), S(ess); unlike Sanskrit, where, each consonant has its sound ending in अ(a), क(ka), प(pa), (ra), (sha), (sa),  (ha) etc.

 

#8 GRAMMATICAL THEORY IS NOT LIMITED TO LANGUAGE. IT ALSO CONNECTS TO MATHEMATICS, COMPUTERS & EVEN QUANTUM PHYSICS!

If you’d look into the origins of grammatical theory, you’d discover that, it offers direct access to anyone to understand and gain insight into the plane of alignment, where maths combines music, analytical combines intuitive, spirituality combines science.

You’d be fascinated to discover that most of the computer languages have their origins in the Sanskrit Grammar.

 

#9 SOUND IS THE SUBTLEST ELEMENT OF GRAMMAR!

According to Quantum physics, each object is made up of some unique or composite pattern of vibration.

Sanskrit’s consonants too are rooted in the root sound vibrations of the universe – the vowels and consonants of Sanskrit are made up of these core sounds – known as bijas – ancient sages meditated on perceiving these bija sounds and gained inherent intuition of the bija sounds of everything.

Sanskrit word is not only a label for an object but a reflection of the bija sound vibration composing that object in its fundamental reality…

Sound is the subtlest element of grammar – manipulation of sounds and words can allow the manipulation of matter – the reason why mantras are recited during prayer or for peace of mind. It also relates to the various vibrational frequencies mentioned in the field of quantum physics.

 

#10 SANSKRIT IS THE ONLY PERFECTED LANGUAGE IN THE WORLD!

NASA declares Sanskrit as the “the only unambiguous language on the planet”

Also called as the “Perfected Language” or the “Self-made Language”, Sanskrit is said to be the number one language to be learned to gain the understanding of linguistics as well as computers. It is the basis of many common languages including Hindi, Gujarati, Punjabi as well as computer languages

Hundreds if not thousands of Sanskrit words are found in Oxford dictionary today

 

#11 NO WORD HAS A FIXED MEANING!

Each word has a meaning

However, the meaning of a word is not something which is constant. It fluidly changes from moment-to-moment and from context-to-context.

 

#12 SYLLABLES ARE BEATS OF THE WORD. PHONEMES ARE SOUNDS OF A WORD!

A phoneme is the smallest unit of sound.

A syllable is the smallest unit of pronunciation, consisting of a pair of a vowel and surrounding consonant(s).

A word is a collection of phonemes.

For example: The word “egg” consists of one syllable “aig”, but two phonemes “ai + ga”

 

#13 HUMANS HAVE A UNIVERSAL GRAMMAR!

There are thousands of kinds of grammatical theories corresponding to the thousands of kinds of languages and sciences. According to the eminent linguist, philosopher and scientist Noam Chmosky, there is no one rule which underlies grammar in general, however, at the same time, all kinds of grammar do have an underlying invisible grammar which he termed as the Universal Grammar. This is a theoretical concept of grammar which discusses the genetic component of language and proposes that human brain contains an innate mental grammar that helps humans acquire language.

Just the way as kids intuitively understand, learn and speak language without any technical knowledge of grammar.


Thank you, enjoy, have a good day & keep writing! 📚 And, remember to subscribe to Neha's Notebook, for more interesting ideas related to writing, art and life!

Neha

Thursday, May 19, 2022

Book Review: The Tainted Throne (Jahangir's Lifestory)

The Tainted Throne The Tainted Throne by Alex Rutherford

The crevices splintered into the fabric of a soul that is fragmented and wounded with lovelessness and anguish, cannot be filled as likely as an ointment may fill the wound of a flesh.

The reaction to which, usually, is a tainted heart…and so, a tainted throne too!

‘The Tainted Throne’ is the fourth book in the ’Empire of the Moghuls’ series written by Alex Rutherford. Consecutively, the novel depicts the story of the fourth Moghul emperor Jahangir, followed by Babur, Humayun and Akbar.

Post the death of the third Mughal emperor, Akbar, the dynasty of Moghuls tripped in imbalance; like a goblet of poison skiddering sideways and spilling itself till the entire sky was gathered with venomous shadows of doom and gloom.

Punch-drunk by negligence, impulsiveness and lust for power, the map of the Moghul empire began to experience cracks, here and there, until, it neared its tearing downfall followed by total collapse.


Jahangir a.k.a. Salim was the eldest son of Akbar, born to his wife Hirabai, in Agra Fort. While growing up, Jahangir depicted to have a sensitive and anxious personality. Akbar, however, more inclined towards his ever-growing empire, was much lesser gravitated towards his son’s increasing complexity.

Nevertheless, not until Jahangir was a full-fledged grown-up, was that, he discovered himself to be yearning for a father who was never there, but only a king, whose imperial perfection he couldn’t strive to surpass or even match.

Often having to compete his own sons who were regarded much more than him by their grandfather Akbar, Jahangir found himself to be like a boat…a boat to nowhere.

The consequence – Jahangir glided on the slippery slope of rebellion and numbing pleasure experiences.

Gaining the throne, though, Jahangir lost himself, bit by bit, piece by piece, until it was too late for him to revert.

Jahangir turned out to be a ruthless ruler, who was willing to destroy anyone who appeared to him as a threat to the throne which he had acquired after awaiting nearly lifelong, and which, he didn’t want to lose at any cost, or to anyone.

His first battle, apparently, was with his eldest son Khusrau. Upon defeating him badly, Jahangir held his son captive in a dungeon, punishing him by getting his eyelids stitched by the hakims, so as he wouldn’t plot any further against him.

However, what turned out to be his greatest enemy was his own mind. His lovelorn mind caused him to murder Sher Afghan, the governor of Bengal, who was the husband of a woman he desired. The woman was Mehrunissa. She was the daughter of Ghiyas Beg, a loyal treasurer appointed by Akbar in Kabul.

Once a widow, Jahangir was free to marry her, and that was what he did, too. He married her. Soon after Jahangir’s first wife Man Bai, committed suicide, thereupon, Mehrunissa became the sole empress.

A genius by nature, Mehrunissa was highly skilled in various forms of arts including painting, poetry, embroidery, textiles, hunting, politics and even warfare. She could craft strategies which exceeded and transcended even Jahangir’s intellect, and it was she who was the real ruler behind the throne.

Mehrunissa was a sharp-witted woman, brilliant in all sorts, only except for the deep-seated anguish that guarded her heart since her childhood. Once upon a time, as a baby, she had been abandoned by her parents under a tree because they lacked resources and couldn’t raise her up.

Driven by this anguish, Mehrunissa grew up fuelled with the craving of power. And alas, as Jahangir’s weakness for opium caused him to slacken his hold over the imperial matters, Mehrunissa grasped the opportunity with zestful appetency and wrote her name in history as first of the very few most powerful women ever.

Jahangir was obsessed about Mehrunissa. He had endowed her with various glorious titles; first ‘Nur Mahal’ and then ‘Nur Jahan’, which signified ‘the light of the world’. Despite that she loved Jahangir equally well, but her love for power overpowered every other emotion she had.

While Jahangir, doused under opium, catered to her influence too soon and easy, Nur Jahan often played with his mind to cause him to do what she wanted. Under one such scenario, Jahangir even disowned his beloved son Khurram a.k.a. Shah Jahan. In another scenario, she caused one of Jahangir’s friends from England, Sir Thomas Roe, to leave the fortress, by poisoning his meals with rotten meat, for days and days, till he was too sick to stay in this country any longer.

She didn’t want anything to come between her and Jahangir as that’d be a threat to her exponentiating power. Jahangir’s thralldom to opium and compounding asthma only supported Nur Jahan’s goals more and more. She was the first ever empress to have coins minted on her name. She was, in fact, the real power behind the throne, while Jahangir was merely a medium.

Upon Jahangir’s sudden demise in Lahore, Nur Jahan sensed Shah Jahan as a threat and immediately plotted to spade him away from her way. However, when defeated by him, Nur Jahan tricked even Shah Jahan, thereby, saving herself and instead, surrendering her son-in-law Shahriyar, as guilty in her place.

Albeit, Nur Jahan was sequestered by Shah Jahan, into seclusion in a small fort in Lahore, and blocked from the rest of the world.

In the present day, sitting right next to Jahangir’s tomb in Lahore, there lies Nur Jahan’s tomb, the epitaph of which, ironically, reads,

"On the grave of this poor stranger, let there be neither lamp nor rose. Let neither butterfly's wing burn nor nightingale sing."

[Note: This review essay is written in accordance with the storyline presented in the novel and the characters are depicted according to the point of view of the novel’s fiction, and therefore, it does not guarantee the factualness of real history.]

http://www.nehasnotebook.com/





Friday, May 13, 2022

FROM NOODLES TO PARANTHAS, CHOCOLATES & BEYOND – THE 7 SECRETS OF FOOD WRITING


Slurping steamy spiced noodles from a bowl while heavy monsoon rains drip outside…

Relishing a fold of butter-soaked crispy-flaked potato parantha on a wintery Sunday morning

Sipping a glass of iced rose sherbet to relieve summer afternoon’s burning heat

Chewing onto a herby, cheese-dipped pepper-flavoured pizza crust on a movie night

Munching from a box of crunchy chips along with your best buddy

Relishing a raw juicy salad of freshly cut fruits & veggies

Scooping a spoonful of nutty chocolate-dipped fudge bar melting on your tongue….

 

There is certainly a certain kind of pleasure in food; that can never be underestimated.

This feeling of pleasure causes the topic of ‘food writing’ one of the most evocative forms of writing.

In fact, writing about food is as exciting as the food itself!

In this video, I am presenting the top-secret ingredients that make a piece of food writing as delicious as the food you’re writing about!

So, let’s breeze through these!

 

#1 ADD FOOD-RELATED SENSORY DETAILING

What does this food item or dish appeal to your five senses?

How does this cooking process appear to you?

How’d you describe the first overall impression that you got after seeing that dish in a palette or that process of cooking going on in the kitchen?

What is the overall visual appearance? – Write about it..

The shape(s), colour(s) and consistency…

What are the textures involved?

Write about the smells and aromas involved.

 

#2 WRITE ABOUT FLAVOURS & TASTES

How does the food feel like as soon as it enters your mouth and you start chewing or swallowing or sipping it bit by bit?

What is the dominant taste? – Is it spicy or is it sweet? – Bitter? Astringent? Sour? Salty? – Write about it.

What are the flavours involved?

What according to you will be the best companions with this food for adding to its taste? – Write about the best toppings, side-dishes and garnishes related to it.

Describe the flavours involved in your own words while offering the specific and precise details.

 

#3 WRITE ABOUT INGREDIENTS & RECIPE(S)

Write about the category of its cuisine, its main city and the culture surrounding it – its history & inventor etc.

Write about ingredients involved in it, if any

Write about its various recipes & recipes related to it

Are you a chef or do you know one personally (that includes your mother!)? Well, then you can interview them to share with you their secret sauce ingredients & mention these in your content.

 

#4 INCLUDE EDIBILITY DETAILS

Write about the nutritional content, if possible and/or required in your content piece.

In which meal of the day this dish is usually eaten and how?

What is the correct temperature and instrument(s) of eating pertaining to this food, dish or eatable?

 

#5 SPRINKLE TOUCHES OF EMOTIONAL FLAVOUR BY ADDING YOUR PERSONAL ELEMENT RELATED TO THE FOOD(S) YOU’RE WRITING ABOUT!

Write about your own experiences & memories related to the food (dish/product/cuisine)

Do you like these kinds of foods or do you dislike them?

What do you feel, think and imagine about the foods or recipes or cuisines that you’re writing about?

 

#6 MENTION RELATED RESTAURANTS OR PRODUCTS

Is this dish served in a café, or is it a specialty of a street food stall?

Got a knack for writing food product reviews? Collaborate with food bloggers, and include the restaurants or top eateries related to that food/cuisine/dish!

 

#7 EMBELLISH YOUR WRITING WITH FOOD-RELATED QUOTES, PHRASES, IDIOMS & ANECDOTES!

There are tons of idioms, phrases, quotes, proverbs & anecdotes you’ll discover, related to all things food. Utilize them to embellish your content.

Got some wonderful snippets or clippings in your writer’s swipe file? Well, bring them into use by repurposing and quoting in your content piece!

 

Remember the goal is to create a springboard of sensory food narrative in order to salivate the tastebuds in the imagination of the reader!

Thank you, good day, keep writing and remember to subscribe to my channel for more exciting ideas related to writing, art & life!

Sincerely,
Neha

Sunday, May 8, 2022

INTRODUCTION TO RASA THEORY (Adding Emotional flavours to writing or poetry)



WHAT IS “RASA”?

“Rasa” is a Sanskrit word which implies the meaning “nectar”, “juice”, “essence”, “taste”, “sap of grain”, “flavour”, “consciousness”, “bliss” and likewise.

 

The concept of “rasa” points to the ‘emotional flavours’ crafted and encrusted in a poem or a piece of writing, by the writer, with a reader/recipient/aesthete “sensitive enough”, to feel/absorb the emotional flavour represented through the work of writing or poetry.

 

The evocation of rasa is a result of a skillful application of the infusion of emotions and moods into a brilliant piece of poetry, drama, visuals or any other art form.

 

A connoseiur in the field of understanding rasas is known as rasika.

 

10 POINTS ABOUT “RASA THEORY

#1 Rasa theory is an ancient theory in the fields of Indian Poetics (Kavya-shastra), Indian Theatre (Natya-Shastra) & Indian Aesthetics (Saundarya-shastra).

 


#2 It was first brought up by Bharata Muni – An ancient sage known as the “father of Indian theatrical art forms”.




#3 Rasa Theory suggests that ordinary language is different than poetic language.

#4 The foundation of rasa in poetics, is based on the idea that, there are two main parts of a word – called as “Sattva” and “Bhava” of a word/shabda

Sattva represents static aspect of a word

bhava represents dynamic or changing aspect of a word – the quality of emotion, feeling or mood attached to it

bhava is the instrument of “causation”

 

#5 The quality of rasa is created by the infusion or the combination of various bhavas, that is, the various emotional states or emotional tendencies of mind.

#6 There are mainly four kinds of bhavas behind the production of a rasa. Rasa is produced from a combination of Determinants (vibhava), Consequents (anubhava), Dominant/Pervading States (Sthayi Bhava) and Transitory States (vyabhicaribhava).

 

Vibhava is the trigger/cause/kaarana – represents knowledge. Anubhav is the outward manifestation/effect/bodily reaction to the trigger (vibhava).

In poetry, an imagery might be the stimulus (vibhava) evoking the emotional response (bhava) of romance in the reader, while anubhav is the actual feeling/sensation of pleasure/joy felt in the heart area of the poet as well as the reader.

 

#7 Apart from the determinants (vibhava) and consequents (anubhava),  there are total 49 psychological states according to the Rasa Theory. These 49 psychological states include

8 Dominant/Pervading/Durable/Stable States (Sthayi bhavas) +

8 Involuntary Physiological States/Reactions (Sattvika bhavas) +

33 Transitory/Complementory States (Vyabhchari/Sanchari bhavas)

= 49







#8 Just as different combinations of ingredients and spices produce different flavours, different combinationsof bhavas produce different rasas, the emotional flavours, tasted by the poet and the audience.

Determinants(Vibhavas), Consequents(anubhava) and transitory states(vyabhachari/sanchari bhavas) infuse together to intensify a dominant/pervading state(sthayi bhava) which results in the formation of a emotional flavour (rasa).

 

#9 According to Rasa Theory, when the poet writes, he creates a resonant field of emotions. To understand the poetry, the poet and the reader must be on the same wavelength of inner energy spectrum.

#10 According to the theory, the goals of poetry or theatre, are to empower aesthetic experience and deliver emotional rasa. Yet entertainment is an effect, but not the primary goal of any of these arts. The primary goal is to create rasa so as to lift and transport the spectators, unto the expression of ultimate reality and transcendent consciousness.


Thank you & Good day!

Keep writing and subscribe to my channel for more lovely ideas on writing, art & life!

Thursday, May 5, 2022

Book Review: Ruler of the World + Akbar's Life

Ruler of the World Ruler of the World by Alex Rutherford


When we think of the Mughal emperor Akbar, what we usually think of is, “Akbar, the Great!”. In fact, even the name Akbar implies the meaning “great”.

Withal, in reality, emperor Akbar’s life was not ‘all-great’. Rather, it was a bittersweet symphony playing somewhere between a trumpeter's buzzing tunes of achievement and a sitarist’s mellow drones of loneliness. But of course, a stark personification of greatness, it was, though.

Akbar’s father, Humayun, died as abruptly as an avalanche, one evening in Delhi’s Red Fort a.k.a. Purana Qila. He was only twelve-years old at the time of his father’s death.

This was the time when the Moghuls were only re-settling their empire in the Hindustan provinces. Their rule was still quite vulnerable to threats. And so, to protect this boy emperor from a giant score of enemies lurking everywhere around them, Akbar was hidden from the view of the public and secretly ridden away from the fortress by his mother Hamida Bano Begum, his aunt Gulbadan Begum and his father’s khan-i-khanan, Bairam Khan.

Very similar to his grandfather Babur’s secret crowning ceremony, the khutba for Akbar too, was read in a secret affair, proclaiming him the third Moghul emperor. Yet, unlike Babur, there was no trace of fear that he was feeling. He was already well-trained in the business of kingship and well-accustomed to these lands of Hindustan. These were the lands, after all, where Akbar was born. His flesh and blood were made of the very soil and water of here, where he was birthed.

With the supporting aid of his father’s loyal regent Bairam Khan, Akbar was able to re-gain the fortress of Delhi, snatching it from the hands of a man Hemu at his victory in the Second Battle of Panipat against him.

True to his name, Akbar was a man of deep-dyed excellence, magnificence and greatness. Prior to him, in the entire timespace of history, no other king had exhibited such a magnetism of perfection as he casted during his rule. Jalal-ud-din Akbar not only proved to be a tipping point for Moghul dynasty, but a game-changer who remained unconquerable, from his previous generation of kings as well as, even from his younger generations and the emperors who succeeded him.

Fond of hunting tigers & leopards, Akbar loved to utilize his imperial power for executing his youthful desire for independence and free-willed decision making. He was unafraid and unmatched, yet a mighty devotee of God. Not merely religion(s), but God.

It is usually said that Akbar was a miraculous child. In his own words, Akbar, one day, was hunting and then immediately he gave up the desire to hunt further anymore. He felt crampy, sweaty and empty-headed. He sat under a tree and asked his courtiers to leave him alone. He shut himself in his fortress’s chambers for a few days, not allowing anyone to see him or speak to him. Then after a few days of seclusion he announced Din-i-illahi, the religion of one god.

He banned cow slaughter; prohibited the practice of sati & jauhar; and introduced the idea that all religions were leading to one and the same god, and no human would be converted to any other religion in the future unwillingly; and all would be granted the freedom of worship. Lover of spirituality, he frequently visited the Sufi mystic Salim Chishti, and only inspired by his name, he named his own eldest son as ‘Salim’ (Jahangir).

Once a Rajput raja presented to him a gift of Upanishads, and Akbar was so fascinated with these texts that he ordered even more scriptures and entire Vedic literature to be added to his library. He even initiated several works of translating these scriptures from Sanskrit to Hindi, Persian, English and other languages. It is usually said that this work of translation was completed by his great-grandson Dara Shukoh, who himself was an open-minded prince and composed his own version commentating on the Vedic texts.

But guess what, Akbar was born dyslexic. That is, he couldn’t read. In his own words, whenever he would face a scroll or a diary scribbled with words, the words appeared to him to dance all around in the space, yet he couldn’t decipher any of its meaning. He couldn’t read or write himself but his curiosity for knowledge, hunger for creativity and thirst for intellectual stimulation caused him to hire a large number of scholars in his fort and build a giant library for himself. One or the other scholar always remained with him, to read to him, books of poetry, spiritual scriptures, religious texts and other books, whenever he would feel like.

A prodigious mind-reformer, Akbar was the first of emperors to hire his own personal writer who documented the chronicles of his everyday life, taking notes and also acting as his advisor, accompanying him everywhere. It was due to his writer-chronicler Abul Fazl, that the diaries of Akbar, named Akbarnama and Ain-i-Akbari; over forty-thousand pages chronicling his life, were discovered by the future generations.

This novel of historical fiction by Alex Rutherford, also utilizes the extracts from the translated versions of these diaries to craft the scenes as well as the overall storyline.

“Ruler of the World” is the third book in the ‘Empire of the Moghuls’ series. It is centered around the trajectory of Akbar’s life, Akbar, who was the third Mughal emperor following Babur and Humayun respectively.

Apparently, Akbar’s life-story cannot be demonstrated in a sequence, for it was never a continuum of events. Rather, Akbar was a spark of light for the Moghul dynasty who illuminated not only fresh, creative ideas, but also demolished the various destructive superstitions prevailing in the minds of his subjects, as well as bringing light to the truth of spirituality.

Having said that, Akbar discovered himself to be as lonely as the desert sun; never having anybody to share his innermost thoughts and feelings. But the gem of his trust wasn’t concealed until, before it was cracked and shattered by some of those, who, he loved the most.

Soon after his appointment as the emperor, Akbar found out his half-brother Adham Khan guilty of betraying him. Even more so, his foster-mother Maham Anga too, was discovered to be supporting her own son Adham Khan over Akbar, as well as poisoning Akbar’s ears against his own mother Hamida. Followed by these harsh pinpricks, Akbar developed a bitter resistance towards trusting anybody throughout his lifetime. Even his own his sons too…

…the reason why throughout his lifetime, Akbar’s relationship with his children was mostly distant and estranged; lacking in depth and emotional connection if any. At the point of his nearing death, he reflected how he didn’t really know his children, because he never tried to be close to them; except only he competed with them, and his perfection, undoubtedly they couldn’t match.

Also the reason why, driven by a deep jealousy, his son Salim (Jahangir) ordered his chronicle writer Abul Fazl to be killed and his head brought to him, followed by his own campaign of rebellion against Akbar.

Akbar wore the veil of imperial magnificence to hide his deep vulnerability and fear that he felt towards the world as well as his own family.

The novel depicts, factual or fictional can’t be said, that, Akbar had no “real love in his life”, despite having over thousands of women in his fort’s women’s quarters, and hundreds of wives in marriage, a bond which he considered only as useful as a matter of imperial alliance. Nothing more, nothing less.

No wonder, still and all, Akbar remained one of the most powerful kings, not only in the Mughal dynasty, but in the entire history. Not only great spiritual mystics and thought leaders, but also a medley of artists, architects, writers, and traders from all across the world gathered together in his ibadat-khana to contemplate on various topics, reflect upon the nature of life and discuss motleys of innovative ideas. As the title of the book signifies, he truly was the “Ruler of the World”, invading and ruling everywhere from the southern Deccan to the northern Kandhar, and all in between.

There is no shadow of doubt in this….after all,

…generations of kings rose and dissolved. But Akbar’s reign is something which is remembered by the most.

Akbar used to say, very often, that, a king should be like the sun, his magnificence so bright that it would fulfill everyone’s heart, yet too brilliant for anyone to look directly at.

As his saying goes, so was his very own nature. He was a ruler just like that of the sun. So magnificent, yet so full of contradictions to be fully understood by anyone.

To wrap it up all together, I enjoyed the book big-time, not only in context of the storyline but also in terms of galvanizing my own historical curiosity!

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