Sunday, February 22, 2026

Vocabulary Sponging - How brain absorbs words while you read a book of fiction?



 

You are reading a book and you come across a word that is new to you. You type the word in Google search or pull out your dictionary to check its meaning. And like this, a new word gets lodged in your brain in that moment. You are strolling in the park and you pass by a group of young guys who utter a slang word that you have never heard before. Again, you type the slang in Google search box and check its meaning. Another word gets stored in the vocabulary database of your brain. Then one day, an elderly relative visits your house and as she’s talking to your parents in the native language, she says a word that you feel is interesting, and you jot it down in your notebook.

 


Every day (If you are a writer, then every moment probably), your brain absorbs zillions of new words, meticulously collecting them from the world, from your experiences, from books, and information, and storing them in your inner library. How does this happen? Why are we humans able to learn new words while the lion and the ants seem totally helpless and incapable of grasping them. Unless it is a movie with animal characters, you wouldn’t likely hear a bear say “hey dude, what’s up?” or a crocodile tell you that he would like to remain “lowkey.”



And even though every creature has its own vocabulary, humans alone can grasp it in a way that no other creature can, thanks to their super-intelligent brain.


 

Vocabulary sponging refers to a subconscious process in which a person’s brain acts like a sponge. As they read a book of fiction, this sponge absorbs or extracts interesting words from the book. The brain doesn’t just absorb a word, it also absorbs its meaning, also generates interpretations related to it, and decides when and how it can be used. Until then, the word will be stored in the brain’s vocabulary database.  

 





When it comes to learning words and retaining them in memory, fiction proves way better than just ordinary dictionaries, manuals, or encyclopaedias. You are more likely to recall a word that you learned while reading a short story more than a word you learned from a typical vocabulary flashcard. In fact, many of the words were originally coined or invented in fiction novels. These words come under the category of “neologisms.”

 


For example, the slang “nadsat” was coined in Anthony Burgess’ novel A Clockwork Orange. Famous terms like “freelance,” “Big Brother,” and “Catch-22” too were first used in famous novels.

 

Science behind the process of “Vocabulary Sponging”

What happens in your brain when it absorbs a new word like a sponge and stows it away in your vocabulary database?

 

Well, first of all, it does something called the “Inferential Mapping” to fill the unobserved gaps or empty areas in the brain using the newly-inputted information of the word.

 

The mapping process involves three parts of the brain - Visual Word Form Area (VWFA), Wernicke’s Area, and Hippocampus.

 

Neural Triangulation

This mapping starts with a process called “neural triangulation.” The brain activates three of its regions to decode the word’s meaning. A region called the “Visual Word Form Area (VWFA)” scans and studies the visual form or the physical shape of the letters.

 

The second part, called the Wernicke’s Area processes the linguistic meaning, syntax, and other details of the word. The Hippocampus, the emotion manager, starts forming connections between this new word and your existing memories. Using these details, the brain constructs a “High-Dimensional Semantic Space,” where it pins the word based on its neighbouring words.

 

 

The second step is “Statistical Induction”

Human brain is a fabulous pattern-recognition machine. When it encounters a new or unfamiliar word like “pulchritudinous,” it starts the process of “statistical induction.” It starts associating this new word with words like “beautiful,” “radiant,” or “stunning.” Based on how and where the word is used, it calculates the probability of the word’s correct and nearest meaning. A part called the “Inferior Frontal Gyrus” or the “context checker” narrows down the word’s meaning through elimination of unsuitable ones.

 

The third step is simply deep encoding through repetition

When your brain picks up a new word from a book, novel, or a story, your brain initiates the process of “narrative transport” by releasing chemicals like oxytocin and dopamine. These chemicals signal the brain that the information being processed is important and needs to be paid attention to. In fiction, this impulse becomes even more charged up due to the addition of emotion. Amygdala’ the brain’s emotional center, becomes active. The more books you read, the more this process triggers in the brain, the deeper new vocabulary gets encoded in the brain.



Inside a part called the “temporal lobe,” the brain creates a placeholder or marker for the new word. Another part, called the prefrontal cortex, uses the story to fill the placeholder. And then, the next time you read that word, the brain fires that neural pattern again. By repetition of this process, the new word becomes assimilated in your memory.

 


Let’s explore this fascinating feature with a short story:

 


 

Solmikki was standing in his grand bedroom in the hilltop castle. Outside the window, sun was dressing up in orange lipstick, bidding farewell for the day and returning to the other part of the world. Flanked by mountains on all sides, the castle was glittering with snow at this time of the year.




Inside the vast bedroom, dead tree logs were making crackling sounds. On a table covered in satin spreads, tiny golden-yellow flames flickered from the tops of three fancy silver-black candlesticks. Up above on the ceiling, two chandeliers collected their light and spitted it throughout the room. Silhouettes of sparkles were dancing on the walls and on the floor, on a patch near the bed’s foot and one where the bookshelf stood. 



Slinging from the upper-third compartment of the bookshelf, a hardcover book, as thick as the potbelly of the castle’s chef, was quivering. The gold foil calligraphy on its front cover was pulsing. It wasn’t an ordinary day for the book. 



It was, in fact, the most auspicious day of the year when Solmikki would pull out the book from the shelf and pick a magic spell from the book and cast it with his ancestral magic wand. Dressed in royal, velvety robes, Solmikki proceeded towards the bookshelf to pick up the Magic Book of Spirit Invocations. 


He pulled out the book. Abraduberahoohoodaamissishoobashoobashoobadimritonnhootanaashtuhootanaashtusumhmmmrooooisshhhh aahhh!


He had just finished reciting the spell and was about to wave his magic wand when something diverted his attention. He stopped. He turned his head and saw two large glowing yellow eyes staring at him from the glass window. Solmikki shivered and recoiled in horror. 



One moment was already gone. To avoid wasting another, he rushed to the second window, pushed open its wooden shackles and peered through the glass. A gigantic purple arm reached out to him from an open slit in the glass and started tickling the hair on his head with its pointy, hair-covered, claw-like fingers. 



Solkmikki fainted and collapsed on the floor. His scream was so nimble that it wouldn’t even have reached the servant in the adjoining room, let alone his guards. Outside the castle, the monster untethered the castle from the mountain of ice, towed it on his back, and proceeded to take it to the land where his master Googoodonyn was waiting. 



For years, Googoodonyn had his eyes set on Solmikki’s magic powers and his kingdom. After waiting for four thousand eighty two years, he had decided to abduct the entire castle and hire Solmikki in his utterly-shadowy BluBlaBoo kingdom. 



Meanwhile, a traveller named Nanto was leisurely strolling down a mountain slope when a glossy black book fell near his shoes. He picked it up. On the cover, bright golden letters were pulsing like metallic mirrors. He tossed the book in his bag and continued walking towards his home.



Different elements of vocabulary in this short story, including words and phrases, will trigger different areas of the brain to lodge themselves in the brain.

 


For example, the Spell: “Abraduberahoohoodaamissishoo...” When the brain hears this gibberish term, at first it feels puzzled because it cannot grasp its meaning or associate it with a word or phrase. So, the prefrontal cortex looks at the narrative setup instead to decide how to categorize the term. After reading that the character of Solmikki pulled out a Magic Book of Spirit Invocations and recited this term, the brain stows it away under the category of “incantations.”

Another word from the book, the name “Googoodonyn” signifies to the brain that it is related to a powerful character or a villainous entity due to the narration associated with it in the story. Since he is the type of character who had his eyes set on Solmikki’s kingdom and someone who abducted this character, his name, though bizarre, is stored in the brain with the association of a villain.

Another word, the kingdom’s name “BluBlaBoo” also illustrates this process. Although the sound of this word indicates that the word refers to something bouncy, babylike, or rhythmic, the story actually depicts it as a “shadowy” kingdom. By creating a contrast between the babylike vibe displayed by the sound of the word and the context “shadowy,” the reader stores the word with the association of uncanny or dark fiction, something that is strange and sinister.

 

The name of the character Nanto, who arrives in the ending of the story, is stored in the brain through the process of “associative mapping.” Although the brain is not too familiar with Nanto, it knows that this character discovered Solmikki’s book on the hill. So, the brain creates a “neural bridge” between the two characters to recall the word from the memory whenever required in the future.

 

Lastly, the word “Nimble” used in the story shows how fiction can “redefine” vocabulary. Nimble, the word generally refers to quick and light in movement. In this story, it seems to refer to something which is “small, faint, and delicate.”

Thursday, February 5, 2026

6 Thinking Hats System of Edward de bono

The 6 Thinking Hats is a systematic, structured, parallel-thinking framework designed by physician and thought-organization expert Edward de Bono. The framework is designed for better decision making, problem-solving, reducing conflict, and exploring any issue from six different perspectives.

 

Each thinking hat plays a distinct function and role. Each thinking role is identified with a colored symbolic “thinking hat.” By mentally wearing and switching “hats,” you can easily focus or redirect thoughts, a conversation, or an interaction. Looking at things from these perspectives ensures that you direct your thinking in the best possible way rather than letting it run on auto-pilot.

 

1. 1. White Hat (This type of thinking focuses on facts, just facts. Separate facts from feelings. It's all about information. It focuses on available data, facts, and identifying information gaps.)

2.    2. Yellow Hat (This type of thinking focuses on benefits, brightness, and optimism. Balancing fear with possibility. It explores the positive, optimistic, and beneficial aspects of a decision.)

3.    3. Blue Hat (This thinking hat is all about management, direction, and organization of thought. It enables the person to stop getting stuck in a spiral and set an agenda that will steer them forward. It's a control mechanism to minimize stress and stay organized.)

4.    4, Green Hat (This thinking hat is all about options, creativity; the possibilities, alternatives, and new ideas. Is there another way to do this? Is there an alternative to this? This hat questions like these.)

5.    5, Black Hat (As the name suggests, this thinking hat focuses on identifying the dark or negative things, the risks before they create trouble. It Identifies potential problems, risks, dangers, and critical, logical reasons for caution. When used wisely, this thinking hat is tremendously powerful, but when overused, it can amplify the problems and generate unnecessary doubts or fears.)

6.    6. Red Hat (Red Thinking Hat is all about feelings, emotions, hunches, intuitions, and gut reactions. This thinking process calls for investigating, understanding, and being aware of our deepest feelings, fears, likes, dislikes, loves, and hates, so instead of driving your life, you take the driver seat and direct them)

 

 

 


Saturday, January 10, 2026

That is love...#poetry


When you aren't afraid

to have unshakable belief in yourself

that is love

 

When you aren't ashamed to adorn your style, your personalities

Even if they are unusual, old-fashioned

that is love

 

When you embrace both your sorrows and joys

your collection of hurts, your boxes of thoughts

with gentle hands

that is love

 

When you find yourself jostled and falling into a dark place

And still know, that all you need to bounce back

is to sit by yourself and sip a cup of coffee

that is love

 

When you can listen to the symphonies of your heart

and trust them to decide the rhythm and the melody of your life

that is love

 

At nights, when you gaze up at the stars

And see your name written in their glitter

that is love

 

When you dive into the ocean of yourself

and discover something that won't abandon you ever

that wwould stand by you for ever and ever

that is love

 

When you spend endless hours

programming deprogramming your mind, like a cosmic engineer

Because you will always choose the best for yourself

that is love

 

When life hurts you, or people

and you decide to walk away, because you understand that you can only love people, you can't save them

that iis love

 

When times get tough and situations harsh

but you keep going, you don't quit

because you know your greatness

that is love

 

When it gets too noisy and swarms of  echoes invade your peace

when ghosts of people from your past try to disrupt your innate joy

and you continue to look within your heart

shining your light

that is love

 

When you set yourself absolutely free, let your crazy, poetic self just be

when you aren't scared to dance like nobody's watching

that is love

 

When shadows tap on your shoulders trying to stop you

and you look in their face, smile and keep walking

that is love

 

When you aren't afraid to be afraid

yet you dwell in fearlessness

that is love

 

When you know that your mind can make you sick

and still have faith in the power and wisdom of your heart

that is love

 

When you invite your fears, your griefs, your worries and shames and pains

and cradle them and kiss their tears

not shoo them away

that is love

 

When the pages of your notebooks rumble and burst with the bizarre stories and fantasies of your creepy life

and yyou let them be

 Without trying to change them

that is love

 

When you aren't shy to seek out those you can share your life with, those you can cuddle or laugh with

and still understand that if there's a place where love springs from

its oonly and only your own heart

that is love

 

This, the one that you see in the mirror

that is love

 

you, my friend

is love

yes you....love

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Sunday, January 4, 2026

Amplified Absurdity Technique of Storytelling #writing #storytelling

In the trenches of a secluded world lived a woman who sat by herself, drenched in utter grief after her lover departed to another world to fetch some fish and never returned. She sat by herself, missing him. From day till night, she sat soaked in melancholy, waiting for him, his face swimming before her eyes. 


When twilight overshadowed the sunlight, she sat in her garden gazing at the moon, thinking that he too would be gazing at it, remembering her. With the coming of morning sunlight, she pulled out her diary and spent her day writing poems of loss, depression, grief, melancholy, and yearning. 


Will he ever return and meet her? The question constantly hovered above her head. As time went by and she couldn’t hold back her longing, she started talking to the trees, to the birds, even to the winds. She would tell the wind to go and see whether he was on his way to her. She would ask the Sun whether she could see her lover in another world. She would tell the trees to rustle so fiercely that the scent of their leaves rushed through the sky and reached him. 


At night, she would whisper to the stars, telling them secrets only he knew about her, telling them about the stories and fantasies she shared with him before he departed to another world. Why he departed, she didn’t know. Years passed. He didn’t return. The books in her home were overflowing with words she felt pulsing in her heart when she missed him.


And then, one day, someone came to her house and rang the doorbell. She opened the door. Standing there was the Mad Hatter with a bottle of coke, a packet of potato chips, and a box of novels. 


She grabbed the bottle, guzzled down the coke, ripped the packet, wolfed down the chips, snatched the box, and flanked shut the door to slip inside her blanket and read all the novels.


 

In the words of non-writers, this story would probably come under the category of bad jokes or gross humor. But for writers, this can be a fabulous technique to add some spice to their piece of writing.

 

The technique is “Amplified Absurdity Technique.” As the name suggests, it presents a piece of writing or a narrative in a way that depicts the absurdity of human life in an amplified manner.

 

In contrast to Edgar Allan Poe’s Single Effect Theory I explained in the earlier video that is based on spinning the entire story based on one, singular emotion, the Amplified Absurdity Technique involves an abrupt, sudden break or jump in the initial emotion, often catching the reader by surprise.

 

When writing a piece with this technique, the goal is to maintain the Single Effect right until the final line or the ending, and then jolting the reader or the viewer into an abrupt twist that is trivial, pathetic, darkly ironic, or grossly humorous. The idea is to twist the initial emotion into an absurdity so instead of following its typical loop of neurons, it takes an absurd turn and forms a new neural pathway. Right when the initial emotion is at its peak, the twist sends the viewer or the reader into a jaw-dropping burst of dissonance.

 

The technique is based on the fundamental nature of human mind. Human mind is not a solid block. It is a malleable entity, just like clay. Just as a jeweller uses raw gold or silver to craft a variety of jewels, earrings, bangles, and necklaces, the mind can be shifted or changed according to what your intelligence wants, in a given moment. While Poe’s Single Effect Theory re-enforces a particular emotion and amplifies it to the peak, the Amplified Absurdity Technique drops the entire amplified cloud of emotion with a splash of humor, irony, or an eye-opening sense of life’s weirdness.

 

It magnifies the psychological conditioning or programming in the person’s mind, and then suddenly shatters it with violation of expectation by inserting an unexpected absurdity in the path of the initial emotion. For the writer or the storyteller, Amplified Absurdity is also cathartic and mind-bending, as it literally enables them to express a difficult emotion and finally shift it.

 

The concept can also be related to H.P. Lovecraft’s ideas of “Horror of the Mundane,” or the “Cosmic Horror,” that work on seeing the ridiculous in the sublime and the sublime in the ridiculous. Lovecraft famously re-instated through his work that human concerns are irrelevant to the vast, indifferent universe. 



The Amplified Absurdity technique helps the writer and the reader to embrace a difficult emotion and right when the emotion is amplified to its peak, then introduce a dissonance spike by creating a sudden, jarring jump in the emotion. From dread to humor, for instance. It’s just like a high-speed car taking an abrupt turn.

 

The concept is just like the character of the Mad Hatter in Alice in Wonderland, whose stories nobody believes but they make people feel good and cheerful. Amplified Absurdity, this concept relies on the fact that the state of human mind can be changed with a story that is absolutely weird, absurd, or illogical. And hence, it can be a powerful tool, not just for writing and storytelling, but also for self-reflection.

 

In the above story, the technique amplifies the emotion of grief to its peak, ultimately leading it into a sharp drop to advertisement-style humor and therefore, cunningly twisting its pathway.

 

This technique can also be observed in a scene in the Bollywood movie 3 Idiots.

 

To delve deeper into the science behind how this Amplified Absurdity Technique works, think of a cute white rabbit dressed in a clothing that makes it look like a frightening fire-spitting dragon. You make the reader “believe” in the terror of the dragon and right when they are frightened to the peak, you violate their expectation and unmask the dragon to reveal the rabbit. First of all, this twist creates an incongruity, a cognitive dissonance, a defamiliarization, a dopamine spike. It disrupts the regular rhythm of thinking and bends it to generate a new thought pattern in the brain. By introducing an absurd element, the writer forces the reader and themselves to feel a difficult emotion to a heightened intensity and then release it and feel something different.

 

The technique is a masterful exploitation of the mind’s basic nature to shift the current state of mind, in a cathartic or a positive manner.

 

The Neural Science of Amplified Absurdity Technique

This is how the Amplified Absurdity Technique works in the brain. At first, the target emotion is amplified to peak intensity with consistent repetition of high-stake elements and imagery. As the emotion reaches it peak, it activates the Amygdala, the part of the brain that deals with processing emotions. 



The amygdala signals the other department in the brain called the hypothalamus. Hypothalamus is responsible for triggering a fight-or-flight response, which floods the person’s body with adrenaline or stress hormones.

 
Sensing the commotion in hypothalamus, another two parts of the brain get activated. A part called the Temporal Parietal Junction (TPJ) registers the abrupt shock, the sudden introduction of absurdity, or the surprising break in the expectation. 



Another part, called the Anterior Cingulate Cortex (ACC), starts processing the “conflict” generated in the brain as a result of violated expectation, the conflict between the predicted outcome and reality. The extreme mismatch then activates the Prefrontal Cortex (PFC), a part that deals with flexible thinking.



The incongruity breaks the brain’s meaning management model and jolts it into existential meaninglessness, which can sometimes be cathartic and mind-changing.

 

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Friday, January 2, 2026

This life....Happy New Year Song #poetry



This life, is a dream

A dream within a dream within a dream

A fleeting glimpse of the rainbow we call as “our world”

 

This life, is a labyrinth

A labyrinth spun intricately with stories

Stories we tell ourselves, stories we hear from others

Stories we believe in, stories we refuse to believe

 

This life, is a puzzle

Piece after piece after piece

we assemble it in time

only to watch them scatter again

 

This life, is a song

A meticulous composition of rhythms and sounds

A bittersweet symphony of pleasures and pains

Woo! Wheesh! Pff! Huh! Ummm! No! Yoohoo! Yay! Oh no!

 

This life, is an overcoming

Overcoming of yourself

Of who you thought you were, of what you thought you needed

 

This life, is also letting go

Letting go of what’s already gone

Letting go of what pulls you away from what is

 

This life, is also a becoming

The becoming of who you already are

The becoming of who you are designed to be

 

This life, is a process

The process of rise and fall

The process of high and low

 

This life, is a book

The big book of years

Years come, years go

But in the end, they leave

Stories, stories of horror and stories of romance

Stories of tragedy and stories of mystery

 

This life, is a dream

And as this year comes to a close

Make sure you recycle your old dream

And create new ones

It’s the time to slow down, to reflect, and release

So you can start anew, with a new dream, a greater dream

 

Because, even though life is a dream

A dream within a dream within a dream

You are the one who choose what to dream

This life, is a dream

But what a dream!

 

Happy New Year! 

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