Tuesday, November 4, 2025

Wednesday Afternoon - Chekhov's Gun Technique of Writing/Storytelling #w...


It was an ordinary Wednesday in October. Sun was dazzling with an unusually-bright sparkle. At 2:14 pm, Ramana exited his college gate and started walking towards his home. On the way, he noticed the orange-colored house. He passed by this house every day but didn’t notice any signs of life before. For the past one-and-a-half year since he started going to college, the house appeared to be secluded, unoccupied, and tucked in a shadowy corner of the street. Today, however, its windows were illuminated from the inside. Outside, a stack of heavy, dark-red blankets was piled near the porch.


He walked on and took a turn towards the park. Arriving at the entrance, he noticed a large, rusted gardening tool, most likely a pair of sharp-bladed shears. The shears were dropping upside down from a cluster of purple-blue flowers in the flowerbed, its sharp blades sticking out from the fronds of grass like fangs of a devious monster, awaiting to swallow up kids that were playing around. To protect the kids from getting hurt, Ramana approached the flowerbed, removed the shears from the grass, placed it at the foot of the entrance gate, and walked on.  



Within a few minutes of exiting the park, he arrived home. His parents were out. He tossed his backpack on the sofa and walked to the kitchen to have a glass of water. Although there were still two-and-a-half tubs of ice-cream in the freezer, he was not in the mood today, due to a sore throat. But then, his nose caught a familiar whiff swirling somewhere around him. He turned around to scan the kitchen. His eyes stopped on the right side of the white granite shelf, on a bowl. Steam was spiralling out from a bowl. He lifted the lid and exclaimed “Hakka noodles!”




“Rakhi must have made them for me before leaving the house,” he wondered. Rakhi, his sister, had gone out for a book promotion event. She knew that it was his birthday tomorrow and he loved these sizzling green hakka noodles. He sipped water, grabbed the bowl, and slumped down on the sofa with the TV remote. Immersed in a mystery movie, he guzzled down the entire bowl. Suddenly, his eyes caught an unwrapped packet of dark chocolate spilling from a shelf behind the television set. He walked to the shelf, pulled out the chocolate, and tossed a piece in his mouth.


By the time he switched off the tv and returned to the kitchen, he found himself taken over by a strange, unusual lethargy. Sloppily, he plodded to his bed and dozed off. When he woke up, the doorbell was ringing vigorously. He rushed and unlocked the door. His parents and Rakhi burst inside. “Get ready, quick! We need to go!” His sister exclaimed. “Where?” He asked. “Just get ready. You’ll know,” they told him. His face still hanging in the post-nap laziness, he trudged to his room and half-heartedly pulled out a black shirt to wear.



 When Rakhi, who had been driving, stopped the car, Ramana felt puzzled. He lowered the window glass to find the same orange house. Why did she stop the car here, he wondered. Before he could question, she hopped out of the car and so did his parents. Following them, he walked inside the house. Unlike what it appeared on most days, today, it was lit up in a dazzling glow of lantern lamps peppered around the courtyard. A stranger ushered him inside. All around him were faces of more strangers, all of whom were dressed in dark red blankets, the same ones he had spotted in the afternoon. “Surprise!” Everyone yelled.


His uncle, the brother of his mother, tugged onto his sleeve and asked him to get seated on a dias. The dias was wrapped in a cloth of black silk. His mother stepped from another room, carrying a ritual tray slinging with incense cones, flower petals, and powders of assorted colors. Ramana smiled. They had organized a surprise birthday party for him. The fact filled his heart with a pouring gratitude. “Ramana,” his mother spoke, “Your great-grandfather passed along this Vault of Eternal Gems to you at the time of his death. Now that you are 18 years old, it’s time that you become aware of your powers and procure this vault.” Ramana nodded, his face blushing with pride.



His uncle stepped forward and said, “Show me your hands Ramana.” Ramana twisted his palms. A shriek escaped his mouth and flitted through the room like the trill of a wounded bird. “What? What is this?” His palms appeared as if they had been charred with a dark brown smoke. “The radioactive compound we mixed in the chocolate has worked,” his uncle exclaimed. Ramana looked up at him in puzzlement.


“Let me explain son,” his uncle said, “The dark chocolate you ate was rubbed with a radioactive compound, which will act like the Shadow Catalyst for you to unlock the precious vault. The noodles you ate weren’t hakka either. Instead, they were dipped in a green potion made from a rare jungle moss. This potion thins the blood and heightens the “aural energy” of the drinker so they can access the dark unconscious energy buried in their subconscious mind. Since you have eaten both the items, your body is now activating these higher energies for you.”



 “I don’t understand all this, uncle. Vault? Energy? What’s going on?” Meanwhile, his father approached the dais, with a pair of shears. It looked like the same shears he had spotted in the flowerbed of the park. “We borrowed them from the gardener who works in the park,” his sister confirmed his doubts. “But why?” Ramana stared at her face, nonplussed. His father came forward and held him by his shoulders.


“Ramana,” his father announced, his voice suddenly devoid of affection. “You, only you carry the key to the precious vault that lies in the backyard of our home’s old quarry. All it requires is your blood.” His mouth wide open, Ramana tried to stand up. His uncle pushed him deeper into the dais.


Ramana looked hither and tither. His parents, his sister, his uncle, and all the strangers seemed to be participating in this occultish sacrifice. “Hurry, father. We only have a short window of time before the vault and Ramana’s powers are locked for another decade.” His father stepped forward and raised the shears high into the air. “Ramana, your sacrifice will always be remembered by all of us. By contributing your blood, you are fulfilling the great mission of your life.”


A horrifying, frozen resistance took over Ramana. He felt like his body was about to explode. At first, there were fireballs churning through his belly and then his throat felt like getting choked by a poisonous serpent. Before he could let out his final scream, his father brought the shears down, pounding them first into Ramana’s shoulders, then his chest, and lastly, his belly. In less than two minutes, Ramana collapsed in a heap, his betrayed eyes reeking with wrath and his powerless moans left unheard, abandoned.



In the pinkening sky, the Sun was already sinking. Ramana’s family members had already burned Ramana’s body on a pier. They needed to rush to his house, dig out the quarry, and pour Ramana’s blood on it to unlock the vault. But before they could step out, the entrance gate flanked close from the outside. The chain automatically tangled itself into the metallic hook, banging the door shut. A few moments and a sickening groan filled the room. Lamps started shaking, lights flickering in neon flashes, from blue to purple to green to red. Cracks materialized in the walls and shedding fountains of rubbly dust, the ceiling began crumbling.



 An eerie scream pierced through the air, which was already smelling of burnt earth and sulphur. Blinding smoke filled the room and a flock of sinister-looking black birds erupted from the disintegrating ceiling. They swooped down and dive bombed towards the family members to peck furiously at their eyes, hands, faces, bodies. Within a few moments, almost all the members were choked in smoke and were collapsing like buildings in an earthquake.



“You will never get what doesn’t belong to you!” A ghoulish voice proclaimed and as the words echoed through the orange house, they stole the breaths of those still alive. Then, darkness blanketed the sky and the orange house was engulfed in a hush, treacherous quiet. Meanwhile, ashes from Ramana’s embers rose with the winds and disappeared into the night sky.


This is not just an interesting story, but also a fantastic example of a concept that writers and storytellers refer to as the “Chekhov’s Gun.”


Coined by Anton Chekhov, the famous Russian playwright and short story writer, this concept, in its essence, states that “everything that exists, has a specific purpose in your story. Nothing exists without purpose.” In his letters, Chekhov famously stated that, “If you say in the first chapter that there is a pistol hanging on the wall, in the second or the third chapter, it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.” The idea is to remove everything that has no relevance in the story.


In this story, the objects and elements Ramana witnesses during his journey back home from college are mapping a trail in the readers’ minds, so when they reach further into the story, every object will reveal its purpose – The orange house, the pair of garden shears, the green noodles, the dark chocolate, the dark red blankets, and everything else.


The concept works on the principles of “narrative economy” and eliminating “superfluous or misleading details in the story that might create an expectation for the audience that is never met in the end, leaving the reader unsatisfied, disappointed, or distracted.




The concept can also be observed in the climax of The Hunger Games. The character of Katniss Everdeen is portrayed to possess a skilful understanding of the poisonous nightlock berries in the forest. In earlier scenes, her father passed on this knowledge to her because it was required for her survival in the District, her hometown. 


In the end, this seemingly disconnected piece of information pops into highlight, as both Katniss and Peeta pretend to eat these poison berries to defy the Capitol by making them believe that they were committing suicide. The Capitol stopped them and declared them as victors of The Hunger Games. 



Read more writings on the topic of "Craft of Writing"

Saturday, October 11, 2025

Hero’s Journey, khichdi, and that little gremlin called “Story”

Life is not a pleasant place. Far from being safe and cool as the castles of Disney princesses, life is harsh, and brutal. Especially for those who dare to dream. Blunders happen. Fears take you over, and you freeze like an iceberg. To blend in with the world, you start walking around with a face of ice and eyes left glassed out with numbed emotion.

Credit goes to Gemini pundit

Huh, huh, huh, humans!

Credit goes to Gemini pundit

And then, there are humans. The world is rumbling with humans who try to pull you down each time you struggle to rise and fulfil your life’s greatest purpose, something that not only makes you happy but is also the best and the most right thing for you. They will pick on your self-doubts, greatest fears, insecurities, hesitations, conflicts and confusions, and use these as hooks to pull you into their own mind matrix, something you didn’t subscribe to. In disguise of “inspiration,” people will often attempt to spoil the little joys, sometimes going all the way to disrupt your life path with barriers that you could have easily avoided. Those that were just a waste of time.

 

The great hoggy-poggy soup (khichdi)

Credit goes to Gemini pundit

All these blunders, pricking humans, voices of your mind, fears, insecurities, envies, and failures blend together to form a hoggy-poggy soup (khichdi!) that slowly drowns you, so you forget the real purpose of why you are doing what you are doing.

But wait, there’s good news. Simmering and bubbling within the depths of this khichdi is a little gremlin creative writers call “story.”

 

That little gremlin called “Story”

Credit goes to Gemini pundit

Story, this little animal, is the journey a hero navigates to overcome the obstacles, barriers, and challenges laid out by the villain. For a hero, villain is an “angel in disguise.” He is the messenger and catalyst that cooks up this khichdi for you and then drowns you in and then highlights to you “obstacles” that will help you find a way out of this khichdi. 

Writers, there’s a bonus!

Credit goes to Gemini pundit

If you happen to be a writer, this entire khichdi episode turns out to be a “bonus,” because once you start noticing this tug-of-war happening between the hero and the villain within your mind, you put yourself on the seat of a storyteller. If you are attentive enough, you’ll end up receiving the bonus of a story (although it might take another few years for you to learn how to put it out in your notebook!).

 

Hero and Villain: The Great Devastating Combo of Story

Credit goes to Gemini pundit

The moment a villain pops up into the picture, the hero has to emerge. And the moment both of them materialize on the canvas of your mind, what happens then is called a “story.”

 

Credit goes to Gemini pundit

Now the villain will do his best to hinder the hero’s pathway with obstacles, barriers, and challenges. Drama will unfold, event after event, scene after scene. The journey that the hero will traverse to overcome the challenges posed by the villain will become the story. His journey, both inner and outer, will make up the skeleton of the story.

Now, a story doesn’t imply a hero, but a hero and/or a villain always implies a story.

 

Listening to the gremlin

Credit goes to Gemini pundit

In my own writing journey, I’ve come across zillions of obstacles, both in the inner world and the outer world, that have fueled my interest in this little gremlin called “story.” From feeling depressed after noticing beginner writers churning out thick novels in their first attempt to creeping out at my bizarre writing struggles to loathing at my gigantic lack of pure talent, I have traversed a long way. And all the while, this little gremlin has stayed with me, following me like a shadow, hovering above my shoulders, trying to tell me something, in hush whispers and tranquil bleats. Sometimes, terrifying screams.

For long, I dismissed its screams. But then, I decided, to listen. To shut my mouth, roll my sleeves, and just listen.

Credit goes to Gemini pundit

When I gaze into the abyss of mind and listen to what this tiny gremlin has to say, I realize how fascinating this hero-villain story archetype is. It is the type of a story every human can relate to. The human mind, in itself, is a background for the hero and its corresponding evil twin, the villain.

 

Mechanism of a Hero-Villain Story Archetype

Credit goes to Gemini pundit

Google says that this hero-villain story archetype is “one of the most fundamental and enduring structures in narrative across all forms of literature, myth, and film.” The core mechanism, according to Google, of this story type is based on two factors: “polarized conflict” and “mutual definition.” To put it from a spiritual perspective, this type of story stems from the feature of human mind called “duality.” In this case, this is the duality of the hero (light) and the villain (shadow).

 

The Hero (The Protagonist)

Credit goes to Gemini pundit

The Hero is a character who functions and operates on the “good,” “conscious,” or the “positive” side of life. He rises to the challenge posed by the villain to restore the balance or improve the world. His journey often involves “inner transformation” alongside external battles. Sometimes, the role of the hero might be to protect or sustain a code, or return to a state of normalcy or order, or achieve a greater goal.

 

The Villain/Shadow (The Antagonist)

Credit goes to Gemini pundit

The Villain, in contrast to The Hero, is his “shadow.” He represents the duality of life. He indicates all the weirdness and darkness that lurks beneath the positive/good façade of the hero, the mud that makes the hero, the hero. Without the existence of this villain, the hero wouldn’t exist. They are two sides of the same coin. He represents all the unobserved fears, desires, hatreds, anxieties, and hatreds that secretly boil within the deepest trenches of the hero’s mind.

 

So while he reveals them to the hero, the agitated hero undergoes annihilation while traversing a journey of transformation. Joseph Campbell named this process “Hero’s Journey.”

 

Hero’s Journey


According to Joseph Campbell’s concept of Hero’s Journey, outlined in The Hero with a Thousand Faces, this hero-villain story is constructed in three main stages: stages—departure, initiation, and return, collectively called “monomyth.” The hero receives a “call to adventure” that beckons him to leave their familiar world. They may refuse the call, but then they cross the “threshold” and this marks their initiation on the “road of trials.” Aided by allies and catalysts, they confront their greatest fears and challenges, ultimately returning to the ordinary world with a gift or bonus that will restore the balance of the world.

 

Credit goes to Gemini pundit

The Hero represents the human ego striving for self-actualization and integrating the conscious and unconscious. The Hero’s existence is the very threat to the identity of the villain, something that forces the conflict.

 

Villain: Mirror of the Hero

Credit goes to Gemini pundit

In the words of Carl Jung, the villain represents the “shadow” aspects of a hero’s personality. He manifests as the “mirror or the distorted reflection of the hero.” Disguised as power play, revenge seeking, chaos, and a twisted sense of justice, a villain actually proves to be the greatest “motivation” for a Hero to navigate his journey and arrive at the goal. The Villain actively attempts to thwart the Hero's quest, often forcing the Hero to face their greatest fears or moral limits.





 

The Hero-Villain Dynamic: Conflict and Mutual Definition

Credit goes to Gemini pundit

The relationship between a hero and a villain is symbiotic, where each character defines the other. Unless the hero integrates and assimilates the shadow of their denied and unlived potentials, depicted by the villain, the journey will continue to unfold. And this little gremlin called “story” will continue to scream and bellow in the  writer’s ears.

 

The Matrix of Morals

Credit goes to Gemini pundit

Another element of this dynamic is “moral ambiguity.” In Moby Dick, for instance, Captain Ahab is driven by an obsessive, destructive quest for revenge, which challenges the moral position of the protagonist. The villain could also be an impersonal character, or the destructive force, like the Big Brother in George Orwell’s 1984. In this case, the hero isn’t fighting against one particular character, but an entire system or matrix.

 

Credit goes to Gemini pundit

Personally, I have never written a story based on this hero-villain story archetype, but as I jot down these thoughts, on a blissed-out Saturday evening, my writing muscles are already clenching with the desire for writing one. (In this case, the writing muscles are the hero and the procrastination is the villain. Let’s see who wins!)



Read more writings on the topic of "Craft of Writing"

Sunday, October 5, 2025

The "Conflict Fusion" method of Short Story Writing

Credit: Gemini pundit


The core idea is to “fuse” Character Need with an Unusual Constraint.

Story plot = Character need + Unusual constraint

 

Three main steps

Step 1: Define the Character and their Need (Who and Why)

Choose a protagonist (Name and what they do. For example: Rupa, the librarian. Monty, the hair stylist. Chabukranga, the sorceress)

 

Choose a core emotional need, goal, or purpose that the character is inspired to fulfil or accomplish. For example, Rupa’s purpose is to inspire the world to love books and read more books. Chabukranga’s purpose is to hunt an ancient locket with which she could break an old curse on her son. Daniel, a writer, needs to finish a poem before sunset. Arman, a clockmaker, wants to repair a broken heirloom watch.

 

Step 2: Create the Constraint (The "What" and "Where")

Take the need from step 1 and place it inside a highly contradictory situation or constraint. Add a single strange element that would make it incredibly challenging for the character to achieve the need. For example: Uninvited guests turn up to meet Daniel and sunset is approaching soon. He needs to finish the poem but can’t avoid attending the family members. Arman, the clockmaker can repair the heirloom watch, but can’t do it without a bizarre magical tool: this tool works only in moonlight.

 

Step 3: Fuse the Conflict

Story idea = Need + Constraint

For example: Conflict Daniel is facing. Conflict Arman is facing. The process of how they resolve this conflict and arrive at the solution is the trajectory of the story.

 

Step 4: Action

Once it is clear that the “process of arriving at the resolution of the conflict” is the essence of the story, the next step is to actually start navigating this process by writing “action.” How does this process look like for the character? That’s action. How the character struggles, what they experience during this process, both good and bad, both positive and negative, that all comes under the action.

 

To build the momentum of drama in Action, focus on a single obstacle or a unique challenge of the constraint. One obstacle after the other, the momentum builds. By the time the story ends, the need is either met, denied, or transformed. For example: In case of Daniel, he is able to write the poem or he fails to write the poem or he realizes that the goal wasn’t writing the poem but to interact with someone and express his feelings, which he already did with the family members.

 

The “Conflict Fusion” method draws inspiration from several creative sources. For instance,

The "Story Spine" method from Pixar/Dan Harmon's Story Circle -  It simplifies plot down to a core chain of events and character needs.

The "Idea Generator" (from writers like Neil Gaiman): Taking two disparate concepts and forcing them to interact—creating instant conflict and novelty.

The Power of Constraint: Like the famous constraint given to Ernest Hemingway to write a six-word story ("For sale: baby shoes, never worn."), a simple constraint forces you to be creative in your short story.




Thursday, October 2, 2025

Writer's Block - The Journey Within

Credit: Gemini pundit

Writer’s Block

 

The phrase sounds relatable.

 

It’s not just a phrase. It’s a state of mind.

 

Every writer encounters this state some-time or the other in their writing journey.


No one can escape it.

 

And even if somebody succeeds in escaping it, they wouldn’t be able to call themselves a writer in the real sense. Because unless you have gone through this state zillions of times, you won’t understand, beyond just concept or belief, what exactly it is. And unless you understand what it is, it is almost next to impossible to find a way out of it.

 

It’s not just a journey of overcoming a barrier in your writing process. It’s also a journey of withdrawing your mind’s energies and gathering them at one point of concentration. It’s not just a battle of words, it’s a battle of concentrating your mind.

Credit: Gemini pundit

“Writer’s block” pops up as a challenge to be solved. To solve this challenge, the writer needs to delve into their deepest self and look through this block to realize that it’s, in fact, not real, but just a shadow. The goal of this shadow is to keep the writer frozen and hesitant. And if the writer is a tad bit scared, the shadow will keep them frozen for years and years.

 

Credit: Gemini pundit

The more you run away from it, the more vigorously it will follow you.

 

To live in a persistent state of “writer’s block” is like living in a haunted house, except that it’s not a building that is haunted, it’s your own head.

 

Many people think that this so-called “writer’s block” is a lack of ideas or inspiration. But that’s an incorrect perspective to look at this state.

 

This state of mind, called “Writer’s Block” is a paradox. It isn’t an absence of ideas or inspiration. Rather, it’s an influx, so overwhelming that the ideas keep on whirling and hovering in the space of your head, and you can’t seem to figure out which one to pick first and which one to store for later.

 

Credit: Gemini pundit

The state doesn’t need to be fixed, just understood.

 

While meditating and reflecting upon this state of “writer’s block,” I came across some ideas that can help a writer cross this state and step into what lies beyond.

 

To begin with,

Write down everything. Just everything. Random thoughts. Gibberish. No matter how scattered it appears right now. If there are some stories which are there but blurry in your head, write about the non-blurry parts and soon they’ll reveal to you the entire story, crystal clear. Fill up documents or notebooks. Just don’t think. Let them scatter and spill out of your brain.

Credit: Gemini pundit

The goal, here, is to empty the head and lay down the thoughts in front your eyes like wafers drying in the sun. Once they are in front of your eyes and you can externalize them as objects, it becomes easier to do something about them. If they keep rumbling and circulating in your head, it’s difficult to actually use them or do something about them. 

 

So, first tip is, write down “everything.”

 

The second tip is, once you write down everything, step away from it and do something entirely different. Create “distance.”

Credit: Gemini pundit


If you are standing amidst a cloud of buzzing bees, you won’t be able to distinguish one bee from the other. But once you step away and look at the cloud from a distance, you’ll be able to discriminate between different bees and what is the purpose of each individual bee. This one is orange and this wants honey. This one is yellow and it just needs to tell a story. This one is black and it needs a place to rest.

 

Credit: Gemini pundit

Once the distance is created, the cloud, the jumble of thoughts a.k.a. “writer’s block” untangles itself and reveals to you what needs to be done. Five short stories, check. Two poetry books, check. Three novels, check. One short film script and one video, check. A list of little writing projects, check.

 

Problem solved. 

Credit: Gemini pundit


Sunday, September 28, 2025

The Memory Palace technique of Storytelling

 The Memory Palace Method of Storytelling

 

If the mind was an abandoned palace, and the hero of the story was thrown away into that palace, what he would do? He would walk through the palace, explore it, investigate the details, and ultimately, find a way to escape and return to his original world. The technique of “Memory Palace” allows your characters to do just that.

 

“Memory palace,” also called as “Method of Loci,” is a creative writing technique used to remember vast amounts of information. In storytelling, the technique can help the writer craft a character or even the entire story by delving into the intricate structures and mechanisms of their mind.

 

The technique relies on putting the character in a tangible, imaginary landscape and then scanning different parts of that landscape, investigating what part mirrors which aspect of your character’s personality.

 

It could be a real or imaginary space, such as a library, a museum, a fantastical castle, a garden, a hilltop forest, a shop, a market, or anything. Consider this place as your “Memory Palace.” The next part is to walk through different parts of this “memory palace” and look deeply. Each part of this imaginary palace represents a different aspect of your character’s life or a major theme of your story.

 

A kitchen might serve one purpose while a bookshop the other. A garden might serve one purpose for the character while an airport might open up interesting possibilities for you to take your story forward.

 

If you are willing to delve deeper, you can also assign different imaginary objects in this imaginary landscape to represent or explore different attributes of your character or storyline. The object could be a simple as a blade of grass or a wall clock.

 

Consider this example: Lila’s Memory Palace

 

Lila sat at her desk, the blank pages of her new notebook yawning before her like an abandoned attic. She wanted to write a list of goals, tasks, and to-dos to organize, but what she really desired was to carve out a picture of her life’s universe. When swarms of thoughts buzzing and rumbling in her head became too noisy for her to actually jot down any words in the notebook, she closed her eyes and started an inner journey into the halls of her “Memory Palace.”

 

The Grand Hall

Sitting at her desk with closed eyes, in a meditative mode, Lila took a mental trip into the “Grand Hall” of her “Memory Palace.” A giant silk banner unrolling before her on a wall and an enormous wooden table in the center were some of the details she could see. On top of the table was a glowing orb. Taking a mental note, Lila placed her ambition on this orb: Write a novel. At this point, the character of the writer had set an intention to accomplish a goal.

 

The Conservatory

The next room in Lila’s Memory Palace turned out to be her “Conservatory,” a garden where she stored all her creative ideas and projects. While walking in this garden, she imagined a giant blank notebook in place of the soil. Suddenly, the blank pages began to sprout with colorful flowers, grasses, tiny bugs, and trees, that represented ideas, stories, and the projects she desired to work on.

 

The Library

The long corridor of “Library” in her “Memory Palace” was sprawling with shelves of books. These, however, were not typical books. In Lila’s inner world, each book represented a collection of memories, dreams, desires, thoughts, everything she liked or disliked, loved or hated, the chronicle of her individual self.

 

The Observatory

Finally, Lila stepped into the “Observatory” of her “Memory Palace” and started peering through the telescope to project her greatest and the best self in the stars and the galaxies. A famous writer with dozens of successful, published novels, a house filled with pieces of art, a mini library of her own, a garden of solace.

 

By the time Lila opened her eyes, she had navigated a landscape in the “Memory Palace” of her mind and now she was ready to jump into her notebook and scribble down all the details she saw in that dark, inner world, tell a story no one but only she could see. 



Saturday, September 27, 2025

Should I be happy yet? #Comics

 

Should I be happy yet?

Dialogue between Me and a Voice in my head

 

Me: Should I be happy yet?

 

Voice: No, you are not a billionaire yet. You are not even a millionaire yet.

 

Me: Should I be happy yet?

 

Voice: No, you haven’t achieved the desired weight in the gym yet.

 

Me: Should I be happy yet?

 

Voice: No, there are still all these problems in your life you need to solve (Problem 1 + Problem 2 + Problem 3 +.…..Problem n)

 

Me: Should I be happy yet?

 

Voice: No, there are still people in your life who won’t appreciate if you are happy too soon. (Person 1 + Person 2 + …. + Person n)

 

Me: Should I be happy yet?

 

Voice: No, you haven’t yet overcome all the barriers in your mind. You are not enlightened yet.

 

Me: Should I be happy yet?

 

Voice: No, you haven’t yet achieved all the goals in your list, you haven’t even reached halfway into your bucket list.

 

Me: Should I be happy yet?

 

Voice: No, you haven’t found that one person who will accept you for who you are.

Me: Should I be happy yet?

 

Voice: No, there are still a lot of traumas and griefs from the past you need to heal that are blocking you from being happy.

Me: [Scratching head]


Be Happy Now!


 

 

Thursday, September 18, 2025

Reach somewhere beyond which there's nothing...

Wherever you are, 
keep on going farther
until you reach somewhere
beyond which there is nothing.



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